Gallery
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CH-25
on hold
Diminutive English 18th Century Oak Cupboard on Stand
Diminutive English 18th Oak Cupboard on Stand. England: circa 1740
- width
- 28.5 in (72.39 cm)
- height
- 49.25 in (125.1 cm)
- depth
- 9 in (22.86 cm)
-
S-86
Set of Four Modernist Walnut and Upholstered Dining Chairs by Flair Furniture
Set of four modernist walnut and upholstered dining chairs by Flair Furniture the dimensions are of the armchairs height with armrest 25.75 in. United States: circa 1960
- width
- 23 in (58.42 cm)
- height
- 35 in (88.9 cm)
- depth
- 20 in (50.8 cm)
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T-36
Stunning Brass Acid Etched Coffee Table by Willy Daro
Stunning brass acid etched coffee table by Willy Daro with agate inset. Signed: "Willy Daro"The table was previously fitted with a lighting device to illuminate the agate from under.Original condition normal usage and wear with time and showing small scattered indentations. France : 1970
- width
- 55 in (139.7 cm)
- height
- 14.5 in (36.83 cm)
- depth
- 35 in (88.9 cm)
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T-198
Bronze Éclaté Gilded Bronze Coffee Table Lamp by Claude Victor Boeltz
Bronze Éclaté Gilded Bronze Coffee Table Lamp by Claude Victor Boeltz. France: 1970
- width
- 63 in (160.02 cm)
- height
- 17.5 in (44.45 cm)
- depth
- 31.5 in (80.01 cm)
-
S-32
Pair of Modernist Velvet and Bronze Wingback Armchairs with Bronze Structure
Pair of Modernist Velvet and Bronze Wingback Armchairs with Bronze Structure France : circa
- width
- 35.5 in (90.17 cm)
- height
- 41.25 in (104.78 cm)
- depth
- 28.75 in (73.03 cm)
-
L-79
Bronze Éclaté Gilded Bronze Table Lamp by Claude Victor Boeltz
Bronze Éclaté Gilded Bronze Table Lamp by Claude Victor Boeltz France : 1970
- width
- 21.5 in (54.61 cm)
- height
- 32 in (81.28 cm)
- depth
- 15.75 in (40.01 cm)
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F-10
Great sea grass and Teak Screen /Room Divider
Great sea grass and teak free standing sinuous from screen /room divider decorated with 49 small teak windows. France , circa 1970
- width
- 75.25 in.
- height
- 70 in.
- depth
- 12.5 in.
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NW-37
Acquatint and Carborundum Untitled Plate IV from Five Night Faces in Broadway by Karel Appel
Polychrome Acquatint and Carborundum Untitled (Plate IV from Five Night Faces in Broadway) by Karel Appel Signed: "Appel 75 E.A." Netherlands: 1975 Signature: Signed and dated in graphite lower right margin of sheet dimensions of the work itself 28x33
- width
- 41
- height
- 36
-
L-78
Art Deco Style Lamp in Brass and Cobalt Blue Glass
Art Deco style lamp in acid patinated brass and cobalt blue glass with opaline shade: France: circa 1950 .
- width
- 7.5 in.
- height
- 29.75 in.
-
CH-04
Art Deco Period "Sunburst" Design Bar Cabinet
Art Deco period "sunburst" design and aluminium bar cabinet U.S.A. circa 1940 .
- width
- 47 in.
- height
- 55 in.
- depth
- 20 in.
-
S-23
A rare Indian giltwood and polychrome throne chair, Tamil Nadu
A South Indian giltwood and polychrome throne chair, Tamil Nadu, mid-19th century India: circa 1850 Provenance: Andrew Allfree Provenance: Collection of Andrew Allfree , Chateau de Montigny , Normandy, France . British antiques dealer Andrew Allfree collected through a lifetime of travel, an obsession with colour, a love for India and interiors of intelligent timelessness – the long-standing passions of Andrew Allfree underpin his collection of objects and furniture, brought together over decades by the English interiors and antiques advisor. Described as a ‘Haut Bohemian’ Allfree is an aesthetes who cultivate his eye and sharpen his mind, creating multi-layered and antihierarchical interiors in which every eloquent object has a story to tell. Andrew Allfree’s shrewd taste and his rich body of work are fine embodiments of this concept, present throughout this selection in characterful Anglo-Indian furniture, bespoke lighting designed for Allfree interiors, exquisite textiles and unexpected European objects.
- width
- 26 in.
- height
- 43.75 in.
-
NW-34
POLYCHROME SCREEN PRINT "ZIG=ZAG" BY JOSEF ZENK
polychrome Screen Print "Zig + Zag" by Josef Zenk Signed, titled and numbered to lower edge ‘Zig + Zag 7/60 Zenk’. This work is number 7 from the edition of 60.
- width
- 26 in.
- height
- 10 in.
-
CR-21
Turquoise Ceramic and Silver Inlaid "Argenta" Vase by Wilhelm Kage for Gustavsberg
Green Glazed Ceramic and Silver inlaid "Argenta" Vase by Wilhelm Kage for Gustavsberg Marqued: "Gustavsberg R Argenta 1209 Made in Sweden' with impressed number '429 1209'" Sweden: 1931 Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the illustrious Swedish ceramic design of the 20th century. He was the artistic leader for Gustavsberg in the 1930s and 1940s and is often called the father of Swedish modernism. Kage is represented at the Swedish National Museum of Art and Design. In the 1920s, Wilhelm created the Argenta series which was popularized at the Stockholm Exhibition of 1930. The series consisted of crocks, bowls, and vases adorned with a characteristic green glaze. The objects have silver decor with dragons, flowers, and dancing women. Argenta was first manufactured in flint but later manufactured in stoneware.
- height
- 4.5 in.
- diameter
- 3.5 in.
- condition
- Good overall general condition
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CR-04
sold
Glazed Oxblood Vase by Hermann Seger for KPM
Glazed oxblood vase by Hermann Seger for KPM. Ink-stamped manufacturer's mark to underside of smaller example 'S.gr.P' with scepter mark and incised number 'PM 3060'. Germany: circa 1890 Hermann August Seger (1839-1893), produced numerous glaze and firing innovations that substantially increased KPM’s proficiency in designing moulds and working with colours. Among his many inventions, Seger developed new kinds of under glaze colours. Oxblood-, celadon-, crystal- and dripped glazes were created, inspired by Chinese ceramics, and they enabled new forms of artistic expression, making Seger an early pioneer of the Art Nouveau aesthetic.
- height
- 10.5
- diameter
- 4.75
- condition
- good overall condition
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CR-01
Glazed Oxblood Vase by Hermann Seger for KPM
Glazed Oxblood Vase by Hermann Seger for KPM Painted mark to underside of larger example 'S.gr.P' with scepter mark and incised number '17360-M’. Germany: circa 1890
- height
- 12.75 in.
- diameter
- 7 in.
-
L-76
$24,500
Marble and Brass Wagneriana Torchere Lamp by Lella and Massimo Vignelli for Casigliani
Important marble and patinated brass "Wagneriana" torchere lamp by Lella and Massimo Vignelli for Casigliani Italy: 1986 provenance: Private Collection, New York The pair established the Lella and Massimo Vignelli Office of Design and Architecture in Milan in 1960, focusing on office accessories, home products, graphics, and furniture. The studio’s clients included Pirelli and Olivetti, among others. In 1965, the Vignellis moved to Chicago and founded, along with six other designers, Unimark International (1965–71), which specialized in corporate graphics. Clients included the likes of American Airlines, Knoll, Bloomingdales, Ford, and Saks Fifth Avenue. Notably, Massimo’s prolific print work championed the Helvetica typeface, encouraging its eventual widespread popularity in the US. In 1971, the couple established Vignelli Associates (known from 1978 on as Vignelli Designs) in New York. They continued to work together until Massimo’s passing in May of 2014.
- height
- 70.5 in.
- diameter
- 19.5 in.
- condition
- Good overall general condition
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M-51
on hold
Glass and Steel and Brass Mirror Model "1669" by Max Ingrand for Fontana Arte
Glass and steel and brass mirror model "1669" by Max Ingrand for Fontana Arte bearing Tag "Fontanit" in the back. Italy: circa 1963 References: - Franco Deboni, Fontana Arte, Umberto Allemnadi & C, 2012, sous le numéro 419. - Laura Falconi, Fontana arte una Storia Trasparente, Skira, 1998, p.111.
- diameter
- 27.75 in.
-
S-19
Pair of Armchairs Rosewood, Leather Bronze par Jean Pascaud
Pair of armchairs in rosewood and bronze with leather upholstered by Jean Pascaud, resting on bronze hoof feet. France: circa 1950 As the 1930s pressed on, and Pascaud’s reputation grew, he exhibited less and less frequently. By the time he secured the Grand Prix at the International Exposition of 1937 he had traded in exhibiting almost entirely for private commissions and comprehensive decorative projects. In 1934 he decorated the Dieppe suite of the ocean liner The Normandy. Next he took on another ocean liner, The Pasteur. In 1937 Pascaud was commissioned to redecorate the offices of the French Ministry of Education. Jean Zay, then Minister of Public Education, was so impressed with Pascaud’s work that he commissioned the designer to redo his offices at the Rochechouart Hotel in Paris.
- width
- 22 in.
- height
- 37.5 in
- depth
- 24.5 in.
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M-50
sold
Gilt & Coloured Glass Artistic Mirror "Soleil à Pointe" by Atelier Vautrin
Gilt, purple and amber glass, talosel resin artistic mirror by Atelier Vautrin. France: circa 1970 From 1967 to 1972 , Line Vautrin founded and directed an art school to pass on her know-how and artisanal technics. The school was located at 29 quai des Grands Augustins in Paris and was called L'ADAM ( association-developement-arts manuels). The artist called on her best worker for many years, Thérèse Patchayan, as well as her daughter Marie-Laure, who will teach her mother's know-how in France and around the world. Line Vautrin teaches the cutting of talosel plates, pattern cutting, modeling, gluing, coating, and hot inlays of all kinds. The objects were of all shapes, the mirrors, oxidized, sometimes crackled. Line Vautrin has always claimed to be an artisan, and teaches both peers established in the profession, keen to improve their techniques, and young aspiring artists wishing to learn from this important creator. Never interrupting her research on shapes and materials, she patented a process: “pellimorphoses”. This technique was later defined as “expansions of coloured plastics caught between two transparent surfaces”. This synthetic material was encrusted with small pieces of coloured mirrors. Provenance: Private collection, Paris France .
- diameter
- 7.75 in.
- condition
- Some restorations to various glass insets and resin support.
-
M-49
Polychrome Talosel Mirror by Atelier Vautrin
Polychrome talosel mirror by Atelier Vautrin. France: Circa 1970
- diameter
- 13.5 in.
-
M-48
Blue Glass Talosel Artistic Mirror by Atelier Vautrin
Blue glass and talosel artistic mirror by Atelier Vautrin. France: circa 1970 . Line Vautrin opened an art school to pass on her know-how, at 29 quai des Grands Augustins in Paris. The artist calls on his best worker for many years, Thérèse Patchayan, as well as her daughter Marie-Laure, who will teach her mother's know-how in France and around the world. Line Vautrin teaches the cutting of talosel plates, pattern cutting, modeling, gluing, coating, and hot inlays of all kinds. The objects were of all shapes, the mirrors, oxidized, sometimes crackled. Line Vautrin has always claimed to be an artisan, and teaches both peers established in the profession, keen to improve their techniques, and young aspiring artists wishing to learn from this important creator. Never interrupting her research on shapes and materials, she patented a process: “pellimorphoses”. This technique was later defined as “expansions of coloured plastics caught between two transparent surfaces”. This synthetic material was encrusted with small pieces of coloured mirrors.
- diameter
- 11.5 in.
-
SC-08
Bronze Patinated Nude Woman "On the Wave" by Györgyi Lantos
Bronze Patinated Nude Woman "On the Wave" by Györgyi Lantos signed with seal: "Lantos" Member of the Association of Hungarian Visual Artists and Industrial Artists. Awards: 1985: Tornyai plaque, Dante Biennale, Ravenna (I) 1st prise; 1988: Dante Biennale, city of Rome gold medal; 2002: Gold Cross of Merit of the Republic of Hungary. He is an artist who mostly works on commission. A sculptor based on classical traditions. His sculptures are characterised by sensitive, delicate patterning. He likes to think about sacred and historical topics. Many of his portraits can be seen in public squares in Hungary. Hungary: circa 1980
- width
- 25 in (63.5 cm)
- height
- 61 in (154.94 cm)
- depth
- 17 in (43.18 cm)
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CH-20
sold
Art Deco Period Fall Front Cabinet by Eugene Printz
Art Deco Period fall front cabinet by Eugene Printz. The front decorated with red and gilt tooled leather opening to reveal a sycamore interior fitted with patinated brass interior lighting, and resting on a typical stylized base. France: Circa 1930 Références: Eugène Printz par Jean-Jacques Dutko et Guy Bujon Éditions du Regard 2018. p.45; 77,185 et 216 Printz received no specialized academic training. It was in his father's workshop in the Faubourg Saint-Antoine, which he took over following his father's death, where he learned all the secrets of the craft by making copies of antique furniture. Starting from 1920, he began modern-style research. His first personal works debuted at the International Exhibition of Decorative Arts in 1925, where he exhibited with Pierre Chareau. From 1926, he exhibited at the Salons of Decorative Artists, Autumn and Tuileries; in 1931, at the Colonial Exhibition, he presented the office of Marshal Lyautey; at the 1937 exhibition, he participated in the Pavilion of Decorative Artists and organized the lighting at the Pavilion of Light. Printz, who received numerous orders from the National Furniture and the City of Paris, has furniture in the Museum of Modern Art and the Museum of Decorative Arts. He created significant furniture sets for America, Mexico, England, and Belgium; he also arranged the private apartments of the Princess de La Tour d'Auvergne at the Château de Gros-Bois and the personal offices of Jeanne Lanvin in Paris.
- width
- 27.5
- height
- 47.25 in.
- depth
- 16.5
- condition
- very good condition original finished repolished, original leather. key recently made for lock
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T-177
English Arts & Crafts Wooden Carved Wood Side Table
English Arts & Crafts Wooden Carved Wood Side Table. England: circa 1900
- height
- 26.5 in (67.31 cm)
- diameter
- 23.5 in (59.69 cm)