Art
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NW-11
Wool Tapestry "Danae" by Edmund Dulac
Wool Tapestry "Danae" by Edmund Dulac and woven by Léo Belmonte Signed to lower right corner in weave: EDMUND DULAC, 1915 Inscribed to lower left corner in weave: TISSE PAR LEO BELMONTE PRO PAUL LEDERLIN. France: 1915 Provenance: Part of a private New York collection for the past 40 years LITERATURE: International Studio, vol. 62, New York, 1917, p. 159 (similar example illustrated).
- width
- 68.5
- height
- 82.75
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NW-24
Framed "Vallende Druppel" in aluminium in by Jeroen Henneman
Vallende druppel [Falling droplet] in aluminium and wood by Jeroen Henneman Signed: Vallende druppel 'Joren Henneman '70 34/60' on the reverse Netherlands 1970
- width
- 25.25
- height
- 20.5
- depth
- 4.25
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NW-34
POLYCHROME SCREEN PRINT "ZIG=ZAG" BY JOSEF ZENK
polychrome Screen Print "Zig + Zag" by Josef Zenk Signed, titled and numbered to lower edge ‘Zig + Zag 7/60 Zenk’. This work is number 7 from the edition of 60.
- width
- 26 in.
- height
- 10 in.
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NW-36
Polychrome Screen print "Romanesque" by Josef Zenk
Polychrome Screen print "Romanesque" by Josef Zenk Signed, titled and numbered to lower edge ‘Romanesque 1/24 Zenk’. This work is number 1 from the edition of 24. Zenk studied for three years at the National Academy of Design, followed by further studies at the Art Students League in New York. In 1927 and 1928, organized exhibitions with many of the leading American painters, including Edward Hopper, Charles Sheeler, and Ernest Fiene. In 1930 he was granted a full scholarship to study at the Munson Williams Proctor Institute in Utica, While there, an exhibition of his work produced the greatest attendance of any show at the institution of that year. In 1942, “Zuni” by Zenk became the first work purchased by the Munson Williams Proctor Institute for its Central New York Artists Collection. Along with Louis Schanker, a prominent woodcut artist and teacher at the New School, Zenk and a small group of printmakers formed “Studio 74” for the purpose of exhibiting their color woodblock prints. The group received immediate critical attention. The New York Times described the work of Josef Zenk as “particularly admirable”. One of his prints, “The Kiss”, was chosen in 1949 as one of the “best prints of the year” and was exhibited in the National Exhibition of Prints held at the Library of Congress in Washington D.C. Josef Zenk’s works have been shown in over twenty-seven museums, including the San Francisco Museum of Art, the Brooklyn Museum, the Newark Museum, the Seattle Museum of Art, and the National Academy of Design. Through the many exhibitions during his career, Zenk progressed from stylized realism in landscape and figurative painting to a powerful modernist and abstract style
- width
- 25 in.
- height
- 18.75 in.
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NW-37
Acquatint and Carborundum Untitled Plate IV from Five Night Faces in Broadway by Karel Appel
Polychrome Acquatint and Carborundum Untitled (Plate IV from Five Night Faces in Broadway) by Karel Appel Signed: "Appel 75 E.A." Netherlands: 1975 Signature: Signed and dated in graphite lower right margin of sheet dimensions of the work itself 28x33
- width
- 41
- height
- 36
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NW-58
Rare Welded Steel And Patinated Steel Wall Plaque by Paul Evans
Rare welded steel, polychrome, gilt and patinated wall sculpture by Paul Evans Signed “Paul Evans 72” USA, 1972 Provenance: Purchased directly from the artist Thence by descent Property from a Private Pennsylvania Collection Literature Head, Jeffrey, Paul Evans: Designer & Sculptor, Schiffer, Atglen, 2012, p. 64 Kimmerle, Constance (ed), Paul Evans: Crossing Boundaries and Crafting Modernism, James A Michener Museum, Doylestown, 2014, p. 161 (cat. no. 37)
- width
- 30
- height
- 30
- depth
- 4.5
- condition
- very good original condition no restoration noted, original polychrome and gilt decoration.
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NW-60
Pair of Abstract Goauche by Sidney Guberman
Pair of abstract gouache and pencil by Sidney Guberman. Signed: "Prado VII and Prado II Sidney Guberman 1998" USA 1998 Work dimensions: H.29.5 W. 19.5
- width
- 21.5 in.
- height
- 31.5 in.
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NW-76
Late 17th Century Painting Follower of Johann Hulsman "Gallant Scene"
Oil on canvas Italian school pastorale Italy: 18th century Note: Bonham's written multiple times on stretcher
- width
- 44 in.
- height
- 29.5 in.
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NW-86
Deocrative Lacquered Panel in the Manner of Bernard Buffet by Maurice Alvo
Decorative Lacquered Panel in the Manner of Bernard Buffet by Maurice Alvo France: circa 1950 Painter, specialist in lacquer wall decorations, Maurice Alvo participated in several group exhibitions during the 1950s, notably alongside Jean Lurçat, Roger Fumeron and Bernard Dunand. He worked for the decorator Jean Royère who presented his creations in particular during an exhibition devoted to lacquer panels organized in 1956 at his gallery Faubourg Saint-Honoré in Paris. In 1961, Maurice Alvo created the large decorative frescoes on the theme of navigation for the entrance hall of the Tourist class of the France ocean liner. Our panel, by its theme, its composition and its colors, is in the same stylistic vein as the monumental frescoes of the famous ocean liner.
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P-01
Colorful Abstract Gouache "Lovers in Landscape" by Gio Colucci
Gio Colucci, painter, sculptor, ceramist was born in Florence, Italy in 1892. In 1911, he moved to Paris to study architecture at the Fine Art School. Colucci settled in Cairo in 1914 where he worked as an architect. In 1917, he gave up architecture and began painting. He went to the United States and brought back many canvas. Upon returning to Paris in 1919, Colucci exhibited at the Allard Gallery. In 1921 and 1923, he participated in the Salon d’Automne and in the Salon des Surindépendants with Gleizes, Herbin, Duchamp-Villon. Colucci returned to Paris in 1945 and exhibited his ceramics at the Christofle Gallery. In 1947, he took part in the Salon des Décorateurs in Paris, and in 1952 exhibited his ceramics at the Vallauris Museum in Provence. The same year the Odéon Gallery exhibited his polychromed sculptures which have a total expression of liberty. In 1954, Colucci participated in the Salon des Indépendants at the Grand Palais Museum where he showed sculptures and ceramics. Gio Colucci participated in the third Biennale dedicated to sculpture in 1955 in Antwerp in Belgium. In 1956, Colucci founded, along with Gino Severini, the Italian School of Arts and in 1959, a retrospective was held at the Juster’s Gallery in New York as well as at the Rodin Museum in Paris. A retrospective of his work is organized in New York in 1963. The Museum of Decorative Arts in Paris exhibited several polychromed wood-based sculptures, ceramics but also painted and sticked Arcopal glass by Colucci. The artist died in Paris in 1974. Provenance ex collection of Family owner of Sara Lee. Italy: circa 1950
- width
- 23.25 in. (59.06 cm)
- height
- 24.5 in. (62.23 cm)
- depth
- 2 in. (5.08 cm)
- condition
- Very good condition, no restorations.
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P-02
Oil On Canvas , "Dorade Bleue" by Raymond Guerrier
Raymond Guerrier , French (1920-2002). Abstract still life , "Dorade Bleue" , oil on canvas by French artist Raymond Guerrier . Signed : Guerrier at the bottom left. France: circa 1960. A self taught artist, he was very much influenced by George Braque, he won the "prix de la jeune peinture" in 1953 and his work is part of the collection of many museums (M.N.A.M of Paris, Musée Réatu in Arles, Musée Cantini of Marseilles, Museum of Tokyo, Museum of Saint-Louis etc…). Reference: p.79 Connaissance des Art Décembre 1962, Galerie Hervé Paris. Provenance: Private collection, Montreal.
- width
- 39.25 in.
- height
- 31.75 in.
- condition
- Very good original condition. Later frame.
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P-03
Rare Pair of Russian Avant Garde Collage by Mikhael Menkov
Rare pair of Russian Avant Garde collage by Mikhael Menkov Signed M.M. 21 Mienkov was born in Vilnus in 1885 Died in Crimea in 1926. From 1912-1914 studied in Moscow and afterwards participated at the 0,10 exhibition in 1915-1916 and was part of the Suprematist group and finally exhibited with the Jack of Diamonds group which included Goncharova and Larionov. Russie 1921
- width
- 11 in.
- height
- 18 in. (46 cm)
- depth
- 1 in.
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P-04
Mix Media on Board Portrait of a Gentleman By Lucretia Mihail Silion
Média Mixte on board portrait of a gentlman by Lucretia Mihail Silion Signed and dated at the base: "Luc Mihail Silion 1930"
- width
- 19.5 in.
- height
- 27.5 in.
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P-05
Studies of Angels by Antoine Victor Leopold
Durangel, Antoine Victor Leopold, Durand. (1828 - 1891), French school. Studied at the salon in Paris form 1859. His work can be seen at Bayonne Museum in France. Pair of oil on board, studies of angels.
- width
- 26
- height
- 32
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P-06
Red Lacquered Japanesque Panel by Bernard Dunand alias Andre Dambrun
Polished red lacquered rectangular panel in the Japanesque style by Bernard Dunand. in the middle of th 1950's Bernard Dunand signs his works with the André Dambrun stamp to promote his pictorial research Signed Andre Dambrun which was an acronym for Bernand Dunand. France: circa 1960
- width
- 23.5 in.
- height
- 47 in.
- depth
- 1 in.
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P-07
Colorful Oil on Canvas Nature Morte by Claude Venard
Claude Venard, French (1913-1999).Colorful abstract cubist oil on Canvas "Nature Morte Aux Fruits ". Signed "C. Venard", label to the back May 9, 1989, lot 60 Provenance: Collection of Litsa Tsitsera, New York;, Christie's East, NY, May 9, 1989, lot 60, "Modern and Contemporary Paintings, Drawing and Sculpture.
- width
- 21 in.
- height
- 18 in
- depth
- 1 in.
- condition
- The painting has recently been cleaned and some small area of the yellow paint was missing and has been filled , original silver gilt frame with some re-gilding , Condition report from the restoration studio is available .
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P-08
sold
Ink on Paper of Nudes "Réflexion Dans Un Mirror" by Boris Vansier
Ink on Paper of Nudes "Réflexion dans un Mirror" by Boris Vansier With Original Sticker Gallery Agnès Lefort Boris Vansier spent his youth in Geneva and left for the United States in 1946, settling first in New York where he took classes at Adelphi University then in Los Angeles where he attended the prestigious Chouinard Art Institute. In 1948, after a brief return to Switzerland, Vansier moved to Montreal where he met gallerist Henry Kleemann, who offered him his first exhibition at the Kleemann Gallery in New York. In 1954, he left Canada to settle in France, first in Cannes until 1956, then in Paris during the 1960s where he befriended New Realist artists including Arman, David Lan-Bar, Raymond Hains and Yves Klein. Canada.
- width
- 22 in. (55.88 cm)
- height
- 28 in. (71.12 cm)
- depth
- 2 in. (5.08 cm)
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P-09
"Mr Cardy Jumping" by Oscar De Lall
'Mr. Cardy Jumping' by Oscar De Lall R.C.A. (1903 - 1971). Signed bottom right. Oscar de Lall (1903 - 1971) RCA Born in St. Petersburg, Russia, he followed his own self teaching plan in painting. He came to Canada in 1926 and settled in Montreal where he studied drawing under Edmond Dyonnet. He was influenced by the work of Velasquez, Rembrandt, Frans Hals, Degas, and Manet. Using realistic style for portraits and impressionistic in landscape, he worked in oils charcoal and pastel. He was elected A.R.C.A. 1946, R.C.A. 1958. He lived in Montreal. Vernon Grandison Cardy was the longtime Mount Royal Hotel chief and was a prim, self-absorbed horse-breeder. He founded the Cardy Hotel Corp which at one time had eight grand hotels in Canada . He sold his hotel chain in 1950 to the Sheraton Corporation to devote his time to his passion, horses riding and breeding.
- width
- 42
- height
- 34
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P-10
Stunning Portrait of a Man by Shui-Bo Wang
Stunning charcoal portrait of a man by Shui-Bo Wang Born in China on September 11th, 1960, Wang Shui-bo studied visual arts at the Central Academy of Fine Arts in Beijing in the early 1980s. After his graduation in 1985 he taught at the same university as an assistant professor. For further development, he came to Canada as a graduate student in the fall of 1989. He began his career in film assisting world famous Canadian animator Fredric Back on his last film, the Academy Award-nominated The Mighty River.Wang Shui-bo’s Sunrise Over Tiananmen Square artfully traces his roots and his own life of journey as he struggles to sort through ideology and arrive a truth. It has won the Oscar Nomination for Best Short Documentary in 1999
- width
- 22.5 in.
- height
- 28 in.
- depth
- 1 in.
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P-11
Mix Media Abstract Black and White Painting bu Louise Pershing
Oil on board abstract black and white painting by Louise Pershing USA circa 1960
- width
- 26.5 in. (67.31 cm)
- height
- 28.5 in. (72.39 cm)
- depth
- 1 in. (2.54 cm)
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P-12
Colorful Still Life Painting by René Arnoux
Colorful oil on canvas painting: Le "Poisson" by René Arnoux (1928-2009). Born in Tunisia in 1928 Arnoux moved to Paris in 1956. He also exhibited extensively Canada, the U.S.A. and Mexico. In 2003 he donated 45 of his works to the André Malraux cultural centre in Villeneuve-Loubet. The dimensions mentioned are for the canvas. France.
- width
- 32 in.
- height
- 25.5 in.
- depth
- 1 in.
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P-13
Jean Dupas Advertising Lithograph in Colours Poster for Arnold Constable
Jean Dupas advertising lithograph in colours for Arnold Constable. France 1928. Signed: "Jean Dupas Paris 1928" and marked "Made in France Tolmer Paris". In the sophisticated Art Deco style that was a hallmark of Dupas work, the fashion poster was commissioned by the Arnold Constable department storeand depicting three women, dressed in the fashions of the past, present, and future, amid lush, slightly surrealistic scenery. Arnold Constable & Company was a department store chain in the New York City metropolitan area. At one point it was the oldest department store in America, operating for over 150 years from its founding in 1825 to its closing in 1975 Jean Dupas intervenes, like many artists of the time, in the most varied fields. In 1923 and 1924, he worked on orders from the Manufacture nationale de Sèvres, as well as on cartons for the Manufacture des Gobelins. He designs for major fashion magazines like Vogue and Harper's Bazaar. In 1925, he sent an oil on canvas, Les Perruches, to the Exhibition of Decorative Arts where it was very noticed8. In 1927, he designed the Max fur catalog for the Draeger printer. He was a member of the Sacred Art Workshops, after 1919, in the wake of Maurice Denis and George Desvallières, and participated in the revival of frescoes. In this capacity, he worked on the decoration of the Church of the Holy Spirit in Paris10, collaborating, among others, with the Lyon painter Louis Bouquet, organizer of the Salon de l'Afrique at the Palais des Colonies in Paris. He also creates posters for the Grands Magasins Dufayel. At that time he lived at 19, boulevard de Port-Royal in Paris.
- width
- 30 in.
- height
- 47 in.
- condition
- Good overall condition
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P-14
on hold
Abstract Painting
Abstract Painting.
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P-15
Orientalist Watercolor of Young North African Boy
Orientalist watercolour depicting a seated north African boy. Inscribed at the back the former owner of the painting: "W. de Keller 1 rue Goethe Paris". France: circa 1860
- width
- 21.5 in.
- height
- 27.5 in.
- depth
- 1 in.
- condition
- Excellent, framed in antique gilt frame , acid free.
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